For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa鈥檚 Struggle for Its Art, B茅n茅dicte Savoy brings to light this largely unknown but deeply important history. One of the world鈥檚 foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.
Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire鈥檚 president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country’s collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.
Making the case for why restitution is essential to any future relationship between African countries and the West, Africa鈥檚 Struggle for Its Art will shape conversations around these crucial issues for years to come.
Awards and Recognition
- A New Yorker Best Book of the Year
"[This] revelatory new book charts the course of an all-but-forgotten movement. . . . [Savoy’s] investigation yields a riveting scholarly whodunnit that doubles as a timely warning."鈥擩ulian Lucas, The New Yorker
"[A] ground-breaking book."鈥擠an Hicks, Hyperallergic
"A fascinating account of lies and disinformation from European institutions in the debate against restitution. . . . Savoy’s deeply researched book marks a shift in tone from the many articles written recently on the African restitution debate . . . that erase African voices, focusing instead on the efforts of European intellectuals."鈥擭osmot Gbadamosi, Foreign Policy
"A closely observed look at the resistance of European museums to repatriate artwork looted from Africa during the colonial era. . . . A thoughtful study in the ethics of art collection."鈥�Kirkus Reviews
"An incisive and eye-opening history."鈥擩. J. Charlesworth, Art Review
"[Africa’s Struggle for Its Art] reveal[s] a vital understanding of the global story of struggles for African heritage restitution and its historical defeat. . . . [The] book serves as a warning that we have been here before and that last time we lost the battle. But it also serves as a kind of arsenal, to not fall for previous tricks, to expose old lies and to build upon what was already built by so many African and allies over decades."鈥擬olemo Molloa, Africa is a Country
"Africa’s Struggle for Its Art usefully charts the prequel to current campaigns pressuring for the return of colonial plunder. . . . This is a history that few of us know."鈥擠avid D'Arcy, Arts Fuse
"An incisive perspective."鈥擳obias Carroll, Inside Hook
"Savoy has . . . made a significant move towards the final decolonisation of European museums and impacting the African nations into not only setting up new museums but also ratifying laws that focus on the protection of their cultural heritage. Hopefully, her book will also influence and shape the larger global conversations on the subject to counter the ridiculous argument of the western nations that such art objects now form an integral part of their own heritage."鈥擲helley Walia, Frontline
"Africa’s Struggle for Its Art, a highly readable and meticulously researched overview of the cultural-restitution debate in Europe. . . . A fascinating and highly recommended read for anyone interested in an often overlooked dynamic that continues to influence North–South relations."鈥�Survival
鈥淚mpressive, well-researched, and beautifully written, Africa鈥檚 Struggle for Its Art looks at the long march for the return of artistic treasures to the African continent. This is an instant classic, a masterpiece. There is clearly a need to understand the history of Africa鈥檚 demand for the repatriation of its art, and that need is fully satisfied here."鈥擲ouleymane Bachir Diagne, author of African Art as Philosophy
鈥淎 prequel to present debates on restitution, Africa鈥檚 Struggle for Its Art deftly details the tenacity of Africans who demanded the return of cultural property and the persistence of European arguments against it. B茅n茅dicte Savoy鈥檚 text is not only a history, but also a forceful directive to Europe to finish the project of repatriation. This is a must-read for anyone who takes seriously the urgency of returning Africa鈥檚 stolen patrimony.鈥濃�擲teven Nelson, dean of the Center for Advanced Study in the Visual Arts, National Gallery of Art
鈥淭he current debate about the fate of African art looted by Europeans is not as new as it may seem. In this book, B茅n茅dicte Savoy masterfully combines powerful historical and material sources to show its origins and long history of reluctance, and the accompanying story of a troubling debate failing to become action.鈥濃�擨ttai Weinryb, author of The Bronze Object in the Middle Ages
鈥淏茅n茅dicte Savoy adds a new and unexpected perspective to the current restitution debate. She reminds us that the quest for the return of African cultural objects goes back much farther than commonly purported and that decades-old arguments for restitution, similar to ones made today, were repeatedly stifled.鈥濃�擝arbara Plankensteiner, director of the Museum am Rothenbaum鈥揥orld Cultures and Arts (MARKK) Hamburg
